~Ellen Goodman
Happy 2012, authors. May the potential overflow into publication. And then some.
~Ellen Goodman
Happy 2012, authors. May the potential overflow into publication. And then some.
My laptop sits on the kitchen counter as I cook. Right hand stirring the dumpling mixture, my left hand’s floury fingers type (not skillfully), Have you a mind to sink, the woman weeps to those gathered in the room, to no one. The sound of something shattering out on the patio. “Oh, Man,” groans my Mother-In-Law as my son squeal-giggles. All three dogs are barking.
Dressed in my Christmas blouse, which is really a summer blouse because the Santa Anas have ravaged this valley for 3 days, stewing us in heat, forcing us to pull out the boring shorts and flipflops at Christmas, I sit on my bed with my laptop, pretending I can’t hear the many beloveds arriving for dinner. I should have left her alone, he muttered, searching the channel for the rowboat. She’s killing me. “Mama! Wook!” My son bursts into the bedroom wielding a candy cane, which is like giving Crank to a kitten. “Where are the mutilated poems, Polly asks,” I whisper, chasing after my son and vowing to remember this line if I’m ever alone with my laptop again.
Just as I collapse on the couch for the first time in many madcap centuries and haul my laptop to my pajamas-covered legs, my eye is caught by my husband staggering for the bathroom, hand over his mouth. I write: baffled as to why the albino twins rile her, and set the computer aside, providing hand towels, encouraging whispers and plumped pillows, my son and I playing with the Bat Cave toy for the next 22 years.
Far beneath the dining room tile, she senses a rumble.
My son orders me to look at his plate. “I ate all my bweakfast!” Widening my eyes and uttering exclamations of (genuine) appreciation, I finish writing: Just how many roadside tacos did he eat? Ella wonders, her stomach churning when she imagines Love or even Front Row Red socking Frankie in the face. “No, Mama–you’re not wooking!”
I am in the guestroom bed. Behind me are miles of fun with my child and whatever I could give my suffering spouse to ease his agony. In attempt to keep one of us healthy, my illness-plagued husband and I sleep in separate beds tonight. I relish the Christmas revelings of late, this sweet family life I am so grateful for, but at last: some time to write. When she turns to him, the passenger seat holds only her bags of clothes, her potted plants…
When she turns to him…spin the sky…when she turns…whale’s spout…when she turns…O enormous yawn! You are not welcome here. O moon, O moan…
Why don’t the f***ing books f***ing write themselves…
I remember using the mini food processor chopper thing to within an inch of its life, opening cans of Christmas delicacies like organic kidney beans, tomato paste (yes, organic tomato paste—who knew) and what is Christmas without ye olde Christmas mandarin oranges (but not in syrup). I recall pouring an entire bottle of pear cider into a saucepan, followed by a bottle of white wine and spoonfuls of mesquite honey and a dozen little logs of cinnamon which jammed appealingly, but failed to get the house as eu de Christmas as I wanted. I will never forget the cats huddled on the couch in the garage, their eyes thick with traumatization because of the visiting dogs invading their land—oh always cookies shedding the precious sprinkles to carpets, a stint for the martini glasses and wedding flutes and maybe no cranberry goat cheese log, but right on with the homemade chicken salsa and holiday chips, the slow cooked chili with chive-flecked dumplings and the potato and leek soup (there we go, a little more Christmas than anything besides the cider) and always the sense of keeping the sickness at bay by backing my smile with another of steel, by not acknowledging dubious splotches on floors and definitely by playing the piano with my own brand of semi-composed Edwardian passion as the company moved to the summery patio where the boy painted a birdhouse and the martinis resurfaced and the dogs tore through (up) the spartan yard and how could Christmas be Christmas without schedules utterly knocked off their hinges? Sunday, you speak to the stars, speaking showing your charms, you are books, you are bones, are you right—right for wishing?
But of course.
The view from the couch is so cheery I will never come down with the colds guests showed up with or that thing that is making my husband hug the commode today as the cats reclaim their cushions and nooks and our dog snores from 2 days of unfamiliar exertion and the boy—the beautiful, blue-eyed Christmas babe we lived all of Christmas through—naps.
It is boxing day. I am unwrapping my soul after disinfecting doorknobs. I am settling my eyes in sun and I have no further suggestions…Except, possibly, these: vitamins, juice and a fateful leap of the mind—right into 2012—quickly—before the next round of holiday trampling, before the neighbors throw another party in molto forte, before the boy wakes and we begin re-exploration of the Bat Cave toy, before the stars can even pretend they don’t hear a word I’m thinking. Leap——breathe.
===Charles Dickens (from The Pickwick Papers of course)
I shall one day have a capacious chimney and branchy candlesticks. You watch. Ho, ho!
From Writer’s Digest. Because I, anyway, always learn something (except how to make the perfect cup of coffee, I can never seem to learn that…):
We posted more than 1,300 articles to WritersDigest.com this year and, quite frankly, that’s a lot. It’s hard to sift through all of that, so I’ve gathered the 18 most popular articles to share with you—a mix of fiction, nonfiction, writer’s rights, agenting, publishing and a bit of humor. Bookmark these links and reference them as much as you need. There’s something for everyone here, so read on. Your manuscript and writing career will thank you.
Without further ado, the 18 Most Popular Article on Writing of 2011:
“I would be glad if it was felt that I have done something generally useful. I don’t care much about personal fame or popularity. I would be satisfied with the feeling that I had a chance to help with something in general, something good. That history gave me that chance.” —Vaclav Havel
I’d say beyond useful.
“One of the most glorious messes in the world is the mess created in the living room on Christmas day. Don’t clean it up too quickly.” – Andy Rooney
I am going to remember this quote on Christmas morning, refuse to allow anyone to clean up, sit on the couch with my cup of Christmas coffee, gaze blissfully at my son playing with his Batcave toy, enjoy family and inhale the scent of toasting bagels. Wait a minute—who made the coffee and who is toasting the bagels? Arrrgh! Why isn’t anyone listening to me—AS USUAL? Get in here, sit with the boy and chill! Step away from the wrapping, grandma! IT’S CHRISTMAS! WE’RE GOING TO SIT IN THE F***ING MESS! Er–candycane, anyone?
PS. I would never say such an “F” word in front of my child, much less on Christmas—but truthfully it might slip out if I’m in vexing traffic—which is pretty much every day—and when I might quickly counter with: “I mean, Ohhhhhh—-fuuuuuuuuuudgerama, there are so many cars! Fudgerama! Cars! Fuuuuudge. Bunnies. Eat carrots. Aaaand, the sky is blue. Can you say: Einstein?”
Impatience, mostly, from everyone in the mall except those of us in line to see Santa, because we all have children and are too focused on distracting their impatience (pointing out Christmas lights, analyzing the 6 potbellied, dancing-on-hind-legs, oversized reindeer heralding Santa’s stage, asking what the giant packages under the 3 stories of Christmas tree might contain, resorting to bribes involving candy canes) to have time for any impatience of our own.
Wafting from the cheesy gold star at the top of the three stories of Christmas tree: Cobwebs, startling me.
A man ahead of us wears his jeans tucked into his Uggs. I find this fascinating and can’t stop staring at a certain concept-in-action.
At the mall-cart closest to the line for Santa, the salesgirl wears a fake hairpiece—a giant, bounding ponytail that doesn’t move and is a fraction darker than her real hair. Eventually I realize she is wearing the piece because in addition to the glittering tiaras and rhinestone encrusted butterfly clips she sells, she also sells hairpieces in every color imaginable. Most of them strike me as having just been lifted from the horse. Or unlucky pony. Or, in some cases, the magic pony…
A girl behind me, say 10 years old, bumps my purse repeatedly. Each time I am bumped, I turn to her. She gazes at me with Princezzin-eyes that I swear plead for a conversation with my soul, but when I broach a greeting, she turns away. This goes on until my son returns from gallavanting the mall with his father, pushes to my side and immediately confronts the girl, demanding to know what she thinks might be in the fake presents beneath the 3 stories of Christmas tree with the cobwebs wafting from the cheesy gold star. They study the presents together, converse. Easily.
Oh, this is a good Santa. He looks the part—round face, real spectacles and believable (enough, anyway, believable enough) beard. My son consents to sit on the plush knee. He tells Santa about the Bat Cave toy and Santa tells him a joke as he pats his other knee for me to sit on, indicating the arm of the fabulous fir-green chair for my husband. It’s only when we’re leaving the stage that I realize Santa and I never made eye contact, no matter how hard I smiled and stared at him and I realize part of me felt as if Santa was sad, despite his wonderful, jolly performance. Perhaps he was tired. Or maybe I reminded him of someone—I honestly do get that frequently, the old, “Have we met?”: Our vet the first time I brought the dog in, and the second time, my son’s first pediatrician, and the second, more than 1 Trader Joe’s clerk (but I’m a regular, so it would make sense). Perhaps there’s another me out there making the city-rounds before I do and perhaps Santa thought I was her and that’s why he wouldn’t look at me. Perhaps she did something ghastly that made him sad—a Christmas pie in the face, say, or the return of a gift (unopened), or a snide comment about his weight, or she stole his magnificent, ice-glazed, Mr. Clause pen, or—
My husband’s deduction: Merry Christmas, PB (swinging our child up to his shoulders, then quickly down when our child protests)! Time for lunch.
And, just like that, our stint of waiting 40 minutes to see a man in a costume is over. Hello, Christmas: Your (not sad) bells are ringing. Or that might be the kitten’s collar. Ah, well. Whatever. We’re merry!
Another tantalizing giveaway at YA Muses, a site I check in with every day (even if I’m on a tight schedule). The Mon-Thurs Muses all have books coming out in 2012. One, Katherine Longshore, is giving away an ARC of her novel, “Gilt”. The premise is fascinating. Go see! Friday Muse has a turn coming, I’m sure (and a baby!). Such a wonderful, informative site no matter your writing genre. I can’t recommend it enough.
Especially if you have a preschooler fascinated by the endless de-hanging possibilities of tree ornaments, a kitten almost a cat, but with severe kitten-interests (involving shatterable tree ornaments), a dog who becomes nervous and insane when attention is lavished on the preschooler and not doggy and steals stuffed animals that are not his—and, now, tree ornaments (shatterable or otherwise), two older cats who hate: 1. Birth of the boy, 2. Adoption of doggy, 3. Kitten and express hate by defiling area rugs, pillows-in-cases, treeskirt and human skin when the peeves strike. Ohhhhh! I get it: Clumsier every year. Ah. Okay, then. Come on over. I have pear cider and I pretty much have the gingerbread-loaf-baking down, and probably the Christmas chili with chive flecked cornbread, and, hopefully, the Christmas cookies for the preschool party, perhaps a few carols on my sticky piano, but definitely the eggnog and definitely all Cheer. Not a newspaper in sight in this tiny pocket of suburbia—no TV (unless you count DVD’s)—radios, yes, we have radios for musical relief from carols in our annual Christmas CD collection, therefore we are subjected to snippets of clumsy commercialism, but look: In the house of sleepless parents and neurotic pets, we are pretty much clumsy with everything except Cheer, we are not clumsy with that, or Peace and Goodwill, we are not clumsy with our P&G supply, no, no—we have plenty, E.M. (just don’t walk by the tree barefoot, and please, we beg you, pet the dog).
PS. I know E.M. Forster is dead.
Colm Tóibín’s library and workspace. Photo via.
I think Colm’s library is my favorite because of the floor-to-ceiling shelves–but Kipling’s cuts a close second because of all the wood paneling and beams and Pullman’s is wonderful because he has books stacked on the floor and I can absolutely see that happening in my library and then there are the oddities, like Agatha Christie’s low shelves and the busts in Faulkner’s library (Don Quixote, I know, I know) and that spookiness of Twain’s library, but probably because the photo is B&W and the view Dickens had and the way my breath sucks in when I see Her, Anne Sexton, in Her Space—O marvelous lady. I could peek into such libraries all day, way too easily—so you go, now—click the link at the top of the page and peek—you take over. I must be one with the armchair and write myself into a library of my own.
A work of art is not a matter of thinking beautiful thoughts or experiencing tender emotions (though those are its raw materials) but of intelligence, skill, taste, proportion, knowledge, discipline and industry; especially discipline.
—Evelyn Waugh
Farewell post-turkey-day sandwiches of turkey, mashies, yams, cranberry sauce, creamed onions, coleslaw and smoky bacon biscuit dressing all squished together between slices of tasty whole wheat bread! I ate 2 of you. Hello again yoga, smoothies, hard boiled eggs and evening writing schedule. Yes! Discipline! (Oooo—leftover chardonnay in fridge!)
When I’m tired, it shows. I don’t have bags under my eyes resembling Hugh Hefner’s ball sack (thank you, Crazy Stupid Love for that line, crud from a movie so crazy sexist it was: Stupid), but I miss things, like windows in which to write. Today, for instance, while the house napped and the rain made its oh-so-rare-and-pleasantly-quaint falling pebbles sound on our roof, I wearily stuffed socks into appropriate drawers instead of hunkering in the armchair with laptop on lap. Farewell, window. And the other day? I watched Once Upon A Time on hulu. Yes. I. Did. Ginnifer Goodwin trying to act like a tough Snow White when she is obviously not an equestrienne, axe-woman, or gazelle-adept when it comes to running through woods littered in enormous fallen trees. And then my son was up from his nap and I hadn’t napped or written, but let another window fade, more tiny lines of bloodshot joining others in my (blue-tinged-with-a-stricken-gray) eyes.
When I’m not tired, I’m this: Supernova—aka, the death throes of a very massive star, aka ‘standard candle’, i.e., my distance can be measured from Earth. Oh, yes. It can. Currently, in fact, as I blog from my armchair, I am as far from Earth as two novels under revision and a 1/3rd of a book of poetry from a sleepless mother can take me. Or—would be if I wasn’t, in fact, blogging…
My spouse has passed out singing James Taylor to our son passed out from a productive Sunday. The dog snores. Loudly. If I had a fireplace, it would be alive. It’s getting late and I still have to wash dinner’s carrot soup out of my hair (don’t get me started)…
Oh! Ha ha! Window! I am so tired, I see it.
Until breakfast, then. Or the next episode of Modern Family. Or the cows come home. I mean cats. I mean—boom, crash—thar she glows (bags unapparent).
~Julia Child
Never tire yourself more than necessary, even if you have to found a culture on the fatigue of your bones.
—Antonin Artaud
When I was in my early twenties, I kept a postcard with his image on it fastened to my rented rickety writing desk. He was my James Dean of the Theatre World. I see him in modern, post-modern, surreal, existentialist and avant-garde works. Some mornings, if I’ve polished it just right, I see him in my toaster—but only because the coffee hasn’t brewed yet. No. You are correct. There is no rationalizing beyond logic going on in this post. Just fatigue, pure and simple.
This photo is from the SCBWI Central-Coastal Writer’s Day 2010, at which I won a Special Mention for my middle grade novel and half off the price of this year’s Writer’s Day, which took place today, all day, and in which much useful information was imparted via industry professionals (both established and new). I was reminded, again, of how important such events are for me. Whether the presentation is from an agent, editor, author outside of my own genre, or an illustrator, the message is ultimately the same (and sometimes the entire topic): Persevere (along with, you know, read everything you can, get your butt in the seat and keep it there no matter the dirty dishes, cat gak or dust bunnies, learn, grow, revise). What did I come away with today in addition to the above (and an agent’s written critique on my first chapter)? The following (thank you, Lin Oliver—she kills me):
*Showers of course having everything to do with the positive effects of negative ions, which can stimulate creative ideas, which is why I love to beachwalk, but, being ocean-deprived far too much of the time—oh dear. It’s time to stop blogging.
Gore Vidal on E. Nesbit (1858-1924):
“I do not think it is putting the case too strongly to say that much of the poverty of our society’s intellectual life is directly due to the sort of books children are encouraged to read. Practical books with facts in them may be necessary, but they are not everything. They do not serve the imagination in the same way that high invention does when it allows the mind to investigate every possibility, to free itself from the ordinary, to enter a world where paradox reigns and nothing is what it seems to be; properly engaged, the intelligent child begins to question all presuppositions, and thinks on his own. In fact, the moment he says, wouldn’t it be interesting if…? he is on his way and his own imagination has begun to work at a level considerably more interesting than the usual speculation on what it will be like to own a car and make money. As it is, the absence of imagination is cruelly noticeable at every level of the American society, and though a reading of E. Nesbit is hardly going to change the pattern of a nation, there is some evidence that the child who reads her will never be quite the same again, and that is probably a good thing.”
—GV in The New York Review Of Books, 1965—yes, that’s right: 1965)
A mother (her son Fabian died when he was 15 years old—terrible!), beloved fiction author (children and adults), poet, political activist, certainly unconventional (perhaps an unwitting feminist—never, it seems, a proclaimed feminist), a woman “built on a grand scale”, able to write furiously in the midst of crowds (while smoking as furiously—her own private chimney), aka Fabian Bland, founding member of the Fabian Society, she died in 1924, 65 years of age (of lung cancer—darn it!). She produced over 100 books. One of my favorites was Five Children And It. Got Psammead?![Five_Children_and_It[1]](https://pbrippeywrites.com/wp-content/uploads/2011/10/five_children_and_it11.jpg?w=284&h=300)
“One of my favourite places to read was my elder brother’s bedroom. It was a tiny room with a bed, a chest-of-drawers, bookcases full of books, and shelves where he kept his seashells, butterflies, pressed wild flowers and microscope, because he was going to be a scientist. The room was on the ground floor, with a window you could climb out of, a brick floor, and a damp, earthy smell. There was a small old sofa, pale lavender colour, rather lumpy, with a folded eastern kaftan on it, very stringy and scratchy to sit on. I can still remember the exact comfortable feeling of getting settled and snugly in a corner of that old purple couch, ready for a good long read!”
—Joan Aiken (1924-2004)
I have loved her since I was eight or nine years old and lived in Oxford and discovered Dido on that one special store’s shelves, the covers depicting wolves, spooky trees, foggy British countryside. I received plenty of adventure-crammed stories from this author and characters I will never forget. The Cuckoo Tree will always be one of my favorites. I still have my old copy—apparently not from that one special store’s shelves, but lifted from the North Oxford library…
I find this disturbing and wrong and a certain deeply suspicious/dark sunglasses wearing/fedora sporting/trenchcoat draped (except not in this heatwave)/notebook carrying (yeah, enough already) part of me wonders what the real story is.
NATIONAL BOOK AWARD YOUNG ADULT NOMINEES ARE BACK TO FIVE
Author Lauren Myracle is asked to withdraw by the National Book Foundation after a mistaken announcement.
“I was asked to withdraw by the National Book Foundation to preserve the integrity of the award the judges’ work, and I have agreed to do so,” author Lauren Myracle said in a statement.
It all began Oct. 12 when National Book Foundation announced its choices for the shortlist for the Young People’s Literature award in a live radio broadcast in front of an audience in Oregon. Judges read the list of nominees to the NBF staff over the phone. Customarily, five novels make the category, so the book world was surprised when the book “Chime” by Franny Billingsley was announced as the
sixth contender.
The foundation later said that there had been a mistake, and that was why “Chime” had been added on.
5 finalists for the 2011 National Book Award for Young People’s
Literature (with one title dropped)
“There was a miscommunication,” National Book Foundation executive director Harold
Augenbraum said about the extra nominee. It’s been suggested that the fact that “Chime” and “Shine,” the title of Myracle’s novel, sound similar accounted for the mistake.
Augenbraum said that staff had realized they made a mistake and, rather than take one book off the list, had decided to simply include “Chime” as well.
“We could have taken one of the books away to keep it five, but we decided that it was better to add a sixth one as an exception, because they’re all good books,” he said soon
after the initial announcement.
(AND THEN THIS!!!)
But then last Friday, the NBF called Myracle and asked her to withdraw, according to The New York Times. Myracle agreed.
“I was over the moon last week after receiving the call telling me that ‘Shine’ was a finalist for the award,” Myracle said in a statement. “I was later informed that ‘Shine’ had
been included in error, but would remain on the list based on its merits.
However, on Friday I was asked to withdraw by the National Book Foundation to
preserve the integrity of the award and the judges’ work, and I have agreed to
do so.”
Augenbram told the New York Times that he couldn’t comment on why the NBF had decided to reverse its original decision, but that the mistake would never happen again.
“The whole thing is a regrettable incident and I wish it hadn’t happened,” he said. “I feel terrible personally, and I feel terrible for Lauren.”
The NBF stated that at Myracle’s request, it would donate $5,000 to the Matthew Shepard Foundation. “Shine” explores the story of a hate crime committed against a gay teenager.
—Jeanne DuPrau (City Of Ember is such a wonderful book, isn’t it? JDP has such a talent for creating believable young people. Wish the movie had done a million times better than it did. But I haven’t seen it, so have no clue as to quality or—why am I still writing?)
Losing my trousers on stage. Stupid, elastic waistband trousers. During a crying scene in an Agatha Christie murder. Kneeling to “sob” into hands, hem of stupid polyester pants catching on my heel. Feeling elastic waistband zip to below hips, straight to dangerous plumber’s crack vicinity. Hearing ancient man in front row shout: SHE’S LOSING HER PANTS!
Fighting with a woman in an extremely trite writing workshop. Fighting with a woman who told me she doesn’t read Tolkien because of the ‘made-up’ languages. Fighting because she said I should watch out for made-up language bits in my own children’s novel. Fighting because there are laws against drinking and driving, but anything goes in workshops. Fighting in my head, only, and with burning looks as a top agent moderated the workshop and I couldn’t scream and rage in front of her, THE HER WHO DID NOTHING TO MODERATE COMMENTS FROM TOLKIEN SHUNNING FREAK……Need to work on forgiveness techniques. Yeah. Whatever!!!
Singing like a parrot in an audition, followed by pretending to be a 2-legged lamb bleating. For same. Audition. Then lamb with others bleating in quickly improvised fold.
Confessing I like Margaret Atwood’s poetry in my extremely intense and attended by all who are MFA’s (except me) Bread Loaf Writers’ Conference workshop. Worse, confessing one of my earliest influences as being not Frost, Millay, Lady Gregory or Plath, but: Erica Jong. It’s true!!! I luf(fed) her (well, I loved “Fruits & Vegetables”). My cheeks ignite like a paper towel in a campfire whenever I recall the confession. Yes, that’s right: A PT in a CF. In mid-Summer (when Smokey The Bear goes shirtless). In brittle mountains. In a heatwave. The kind that kills poets.
Reading a tribute in front of uber-many gathered to honor a revered college professor. Finishing my piece to applause. Tripping as I left the podium. Tripping. With a gaily uttered Whoops! that came out of nowhere. A Whoops! NO ONE MISSED.
Tripping on my first date with my future husband, as I approached the cafe table at which he sat dunking his teabag, his green eyes widening through his Jeff Goldblum glasses as he watched me fly towards him, the hot coffee in the mug that I held sloshing all over my silk date-shirt and fashionably ripped jeans. Watching me sail through the air—and knowing right then he was in for it (but he married me anyway).
Pratfalls in our living room because they make my son laugh so hard he must clutch his stomach and wave at me to stop, please stop, which I do, because (damn it!): I know mercy and I know love. ![images[1]](https://pbrippeywrites.com/wp-content/uploads/2011/10/images1.jpg?w=640)
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